lilfuchs – aka Adam Fuchs – has channeled a deep love of music, illustration, animation, and psychedelica into a vibrant, multi-disciplinary body of work. Since 2000, lilfuchs has provided graphic design and animated music videos for the likes of Captain Murphy, St. Vincent, Ghost, Slyvan Esso, Local Natives, and Skrillex. His style celebrates color, propulsive motion, and rich iconography, while maintaining a tactile, analog feel in an increasingly digital world. Lilfuchs currently serves as 
Art Director at Adult Swim

lilfuchs

Gradient Burn: An exploration of abstract colorful formations that develop from simple RGB ramp patterns. 


Red Burn

Katie Torn integrates 3D computer graphics and video to model virtually simulated scenes out of the detritus of internet and consumer culture. 
She has screened her work at MoMA PS1 and MOCA LA.


Katie Torn

On the Beach, 2017, 2160 x 810 px, 30 second loop. 

On the Beach

Ryder Ripps

One of five archival pieces, each created between 2008-09, just prior the launch of Dump.fm. These works provide a link to his netart past as well as a nod to the future of digital art, as Ryder continues to experiment with conceptual projects in NFT land.

JPG Image / 520x576 px / created 2009

From a collection of net art made between 2008-2009

Mother Marry

Benjamin Lemoine

Trash


Esteemed rock photographer Michael Lavine, renowned for his iconic portraits of musicians such Kurt Cobain, Notorious B.I.G, and David Bowie, has been making his own brand of visually unique images of celebrities for over 30 years. His photographs of luminaries such as Jay-Z, Tilda Swinton and Brian Cranston have graced magazine covers around the world. Working extensively in the Network Television industry, he’s shot advertising campaigns for shows such as Empire, Black Monday and The Following. A leading photographer in the Hip Hop world, Michael has shot album covers for The Wu Tang, OutKast, Lil’ Kim, and P Diddy. In 1996 Simon & Schuster published Noise from the Underground, a book of Michael’s photographs of bands; including Nirvana, Sonic Youth, and Soundgarden, In 2009, Abrams published GRUNGE, a book of Michael’s photographs documenting the Seattle punk scene of the 80’s. His latest series of photographs, Swan Song, are wildly vibrant portraits of female singers based in Brooklyn. 


Michael Lavine

Kurt Cobain
Portrait #3
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine


Kurt Cobain Portrait #3
by Michael Lavine
Jan 12, 1992
New York, New YorkKurt Cobain Portrait #3
by Michael Lavine
Jan 12, 1992
New York, New York

Kurt Cobain Portrait #3

Artist living in Queens and working in the Uncanny Valley


Scott Gelber

End User

Chino Amobi is a Virginia-based experimental electronic musician, contemporary artist and producer. He is co-founder of the independent label NON Worldwide and Director of EROICA. He has previously worked in the fields of painting and sound art, and has released albums such as Airport Music for Black Folk (2016) and Paradiso (2017), which explore themes of intercontinental security, post-apocalyptic narratives and The New Global South. He is represented by Fitzpatrick Gallery (Paris; Los Angeles) 

Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 


Chino Amobi

4 Seconds. 1920x1080px. H.264. Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 

Illuminazioni Loop 3

Otto Von Schirach is a Multi-disciplinary Multimedia experimental artist & musician that uses video, performance art, and original music to play live shows globally. I have released forty eight albums, EPs, and singles since 1998 through Ipecac Records, Schematic Records, Monkeytown Records, and  currently my own imprint Bermuda Triangle Records. Annually, I play over a hundred shows throughout the United States, South America, Asia, and Europe.  I have collaborated with many noted musicians and artists to create multi-disciplinary work for the last two decades. In 2012, the Borscht Film Festival financed my short film Pineal Warriors which I wrote, directed, and starred in. In 2014, I was a finalist for the Miami Arts Challenge, an initiative that finances local artists with transformative ideas for the community. Furthermore, I was awarded the Adrienne Arsht Center Mastermind award for outstanding achievement in arts and culture. My music has been commissioned by many museums, most recently Young At Arts Museum and MOCA. In 2019, I was commissioned by the Young At Arts Museum to create an interactive multi media sculpture in their Fall exhibit, "ArtCade". Since 2001, I have headlined and played festivals internationally. Among them are Fusion Fest and Melt Fest in Germany, Dour Festival in Belgium, BangFace in England, Elevate in Austria, Todaysart Festival and Bloodshed in Holland, Astropolis in France, the Detroit Electronic Music Festival, and SxSw in Texas. For twenty five years, I have been a full time musician and artist creating innovative work that dares to push boundaries and heal communities. 


Otto Von Schirach

The divine 3rd eye needs to be decalcified and cleansed to battle the Anunnaki and their brainwashed parasites.


( An NFT Loop from Pineal Warriors)  

1920x1080 10000kbs  


3 Eye Cleanse (Pineal Warriors)

Danny Perez is a first generation, Cuban-American currently based in Los Angeles.
Having grown up in the Washington DC area, Perez attended NYU’s Tisch school for film before
relocating to California. In 2016 ANTIBIRTH starring Natasha Lyonne and Chloe Sevigny was
released and distributed by IFC midnight after premiering at the Sundance Film Festival. Perez
wrote and directed ANTIBIRTH after years of working in music videos and experimental video.

Previously in 2010, his experimental video ODDSAC screened in the Sundance Film Festival’s
New Frontiers section. The visual album was a collaboration between Perez and the group
Animal Collective. Touring as a projectionist and lighting designer for the bands Panda Bear and
Black Dice mutated his sense of rhythm and composition into something modern and unique.
Perez has worked closely with Panda bear across many tours creating visuals and lighting
designs for his concerts across clubs , festivals and museums.

Danny’s video work has been screened and covered all over the world from the Guggenheim
Museum (as part of their 50th anniversary series), The National Institute of Art Copenhagen,
Reykjavik Int. Film Festival, Karlovy Vary Film Festival, the New York Times, Vice Magazine,
and more.

Danny Perez

Using found footage, and graphic disasters, the video is a piece of a larger video created for Halloween in 2018. Collage and 2D animation crushed with a layer of analog feedback give this a true mixed media format that spans various techniques to create pop cultural grotesqueries.

Affleck Effect

The abstract mentalists Baseck & Brian Close are bi-coastal collaborators who share an excitement for waveshaping images & sounds. Their projects range from throwing raves, pattern making, beat making, producing records, and making films, with a passion to warp reality. 

[www.instagram.com/baseck](https://www.instagram.com/baseck/)

[www.instagram.com/brainclosed](https://www.instagram.com/brainclosed/)



Baseck & Brian Close

The abstract mentalists Baseck & Brian Close are bi-coastal collaborators who share an excitement for waveshaping images & sounds. Their projects range from throwing raves, pattern making, beat making, producing records, and making films, with a passion to warp reality. 

160FM eZ

NYC Performance artist and Sculptor with a 3 decades deep repertoire in the art world, weird undergrounds, and on the Web as David Nobody on Instagram. Extensive press, includes The BBC, Vice, NYTimes


David Henry Nobody Jr

Frog Man is a slippery Resemblagè from the mental swamp of David Nobody. The video was originally commissioned for Adult Swim social media channels in 2019. Froggy has now also squirmed his way into the Amalgamation show at the Cryptovoxels museum 🐸🐸🐸, curated by Chain Saw and Whitehot Magazine.


Frog Man

Unicorn Boy by David Mason Chlopecki has been quoted as being everything from “The Mona Lisa of the Internet” to a modern “Dont Tread on Me” flag. 
The polarizing self portrait embodies and emboldens some while frightening others. A modern punk image the work perfectly encompasses our modern body culture, identity culture, and spear heads the current movement of a world that cannot be shamed. California Institute of the Arts Fine Arts Alumni. Founder of Slickitup.com



David Mason Chlopecki

Unicorn Boy by David Mason Chlopecki, is an iconic self portrait, a provocative punk image that perfectly encompasses our modern body and identity culture, encapsulating the collective movement toward a world that cannot be shamed.
Proving to be a polarizing image, this pastel portrait has resonated with many to the point that it has become a highly recognizable meme. Sometimes referred to as the "Mona Lisa of the Internet", it is a highly recognizable artwork, yet few know the subject, David Mason Chlopecki himself. Unicorn Boy can be seen on cakes, cards, christmas ornaments, oil paintings, all over message boards, as it has been co-opted countless times in major media. Over the years, merchandise like dolls and action figures have been manufactured; a business in Korea even based its entire brand identity on the image.
Perhaps the highest profile reference to 'Unicorn Boy' can be seen in the Marvel feature "Deadpool", where we see the superhero masturabate using a stuffed unicorn in chaps, using Chlopecki's iconography as a cultural signifier for a mainstream character with a liberated, pansexual identity.
'Unicorn Boy' represents sexual strength without shame, a punk rock 'fuck you' to puritanical sensibilities. While intimidating to some, for many, the image is synonymous with an emboldening, ecstatic pride. A whimsical yet strong image, a Lisa Frank sticker come to life, his knowing gaze symbolizing that a new world where he knows he holds the reigns

Unicorn Boy

Halro is an illustrator/animator based in NY.

Halro

Escape Pods, Animation Loop, 1080x970, 4 seconds, mp4

Escape Pods

Green Burn

James Moore is a muralist, sculptor, printmaker and tattooer currently based in Los Angeles, CA.  


Recent public art commissions include large scale murals in Brooklyn, NY (Mission Chinese Food),  Atlanta, Georgia (787 Windsor St. Warehouse Complex) and Charlotte, North Carolina (Camp North End). He is regularly commissioned for fully immersive, mixed media installations, and public artworks of his have been shown at Industry City (Brooklyn, NY) and Mini Cooper / BMW's Project: A/D/O (Greenpoint, Brooklyn, NY). His sculpture work has appeared in collaborative photo shoots with musician Arca, fashion photographer Nick Knight (SHOWStudio), and BOND Hardware.





James Moore

Moore’s work explores our ever changing relationship with technology, what it means to be human, and questions concerning the current technological landscape we find ourselves in. Transcending, creating new mental and spiritual paradigms and questioning the machines we use in relation to the human body. In his work there is a strong underlying desire to connect to a higher power, and to be in the presence of a higher technology. He creates abstractions that conceptually set up forums for this connection, and illuminate the question he feels technology in our era begs to asks in contrast: how does free will and choice influence the ever-changing relationships between technology nature and humanity, the technocracy of our current construct, the effects of capitalism, and the weaponization of technology? His work serves to create a bridge to help us understand the dualistic reality we live in, between what we know as the natural self and how technology is shaping ourselves into new beings. By combining imagery from nature, technology, science and spirituality, Moore aims to to help illuminate the power that resides in people, and raise questions that will help others ascend to higher versions of themselves by visually unlocking mental and spiritual gateways with his art, empowering others, incorporating circuit patterns with the human body, grids and fractalized lines of matrix patterns that glow like veins of a breathing ghost in the machine, a spirit inside the internet that that is part of the life-force that connects all consciousness. 

100mb  /  1 min 50 sec

Merge

Kyle Mabson

blankcheckjarjarminorthreat.jpg

Kai-Luen Liang is a LA based sound and media artist working with visual and audio feedback systems, plunderphonics/ sampling, generative design, and neural networks for image and sound generation. 


Kai-Luen Liang

Sunsets on Fairy Mountain

brokebackmaddenlarry.jpg

Jimmy Joe Roche is a Filmmaker residing in Baltimore, MD. He runs the cassette tape label Ultraviolet Light. Roche is a professor of Film and Media at Johns Hopkins University.


Jimmy Joe Roche

length: 29 seconds
frame rate: 24fps


“These NFT works will slowly develop an increasingly complex visual language system based on Analog Video Feedback, Aura Photography, Albers Color Theory, Frank Stella, Olafur Eliasson and a variety of other sources. Every NFT that I mint under the Happy Neon moniker will be interrelated, working toward developing a closed ontological system.” - JJR, 2021


Glizzler

goodvibesonlybretkirby.jpg

Blue Burn

530° is a french creative agency founded by Marick Roy, Don Calumez and stanislas996.  


[www.instagram.com/530degres](https://www.instagram.com/530degres/)


[www.instagram.com/_meur](https://www.instagram.com/_meur/)


[www.instagram.com/don_calumez](https://www.instagram.com/don_calumez/)


[www.instagram.com/stanislas996](https://www.instagram.com/stanislas996/)



530°

"radar_dome_platform" is a 3D hybrid sculpture presented in video & poster format.  This composition confronts various objects and references several digital tests. 21 seconds, 2100 × 2970 px, H.264

radar_dome_platform

Yilmaz Sen

Stairs

Supermeng's almighty high priestess performs a ritual “Despojo” or magic cleanse that takes away all the bad juju and makes Supermeng the strongest of all the galaxies.


( An NFT Loop from Pineal Warriors)  

1920x1080 10000kbs 




Decalcification 8000 (Pineal Warriors)

Kareem Rahma is an Egyptian-American artist, entrepreneur and Webby-nominated comedian living and working in NYC.


Kareem Rahma

CONVERSATIONS WITH FRIENDS: A comedic video series that explores imaginary friendships between Kareem Rahma and his celebrity friends. 


The legend Kenny G. learns a hip hop song just for Kareem.


Kenny G. Learns Corvette, Corvette

Fantastic 3D Creation

14 sec 1000X1000 H264 Disturbing creature, living in the clouds. Capable of giving but also of taking ...

The Giver

One of five archival pieces, each created between 2008-09, just prior the launch of Dump.fm. These works provide a link to his netart past as well as a nod to the future of digital art, as Ryder continues to experiment with conceptual projects in NFT land.

nextbigartthing.gif / created 2008

Next Big Art Thing

The work of Olga Fedorova is as visually complex as it is seductive. She works at the intersection of photography, painting, digital imaging and installations. Using three-dimensional software Fedorova creates forms that resemble ready-made models and inserts them into spaces and landscapes typified by their aseptic, clinical sterility and detached, impersonal ambience. The images of Fedorova, with their surreal, dystopian presentation, evoke uneasy, dreamlike states that feel both familiar and alien, comforting and disturbing. 


Olga Fedorova

How To Become A Hacker

CONVERSATIONS WITH FRIENDS: A comedic video series that explores imaginary friendships between Kareem Rahma and his celebrity friends. 

Girl Advice from Chet Hanks

6 Seconds. 1920x1080px. H.264. Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 


Illuminazioni Loop 1

Taken from the Panda Bear vs. The Grim Reaper tour, this clip utilizes live action performance with video effects used in touring visuals from 2015. 11 seconds, 1920x1080px, Apple ProRes 422 HQ

Alien Ball

Supermeng's lair is in a magic realm, accessible through a portal that only he has access to. This healing sanctuary is known for its divine energy of everlasting light.


( An NFT Loop from Pineal Warriors)  

1920x1080 10000kbs 




Pineal Lair (Pineal Warriors)

Michael Green is a multidimensional shapeshifter creator that transcribes the conditions of the Modern Age through various digital mediums such as digital art, 3d animations, GANs, VR, New Media, etc.


Michael Green

Humans have a range of 27 emotional outputs. To illustrate the variance, the AI generated a lifelike render to make the characters more relatable to humans, but was later criticized for dipping into the uncanny valley.


Emoji

Kurt Cobain
Portrait #6
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #6

Sean Capone is an animation artist, projection muralist, motion-capture performer and writer based in Brooklyn, NY. He received his MFA from the School of the Art Institute of Chicago. Sean is a 2020 NYSCA/NYFA Fellow in Digital/Electronic Art. His writings and interviews on the subject of animation art appear regularly in BOMB Magazine, and he has curated several screening programs of animation and video art presented in galleries and online. Sean's moving image-based public artworks have been commissioned for ZAZ Corner Times Square, Penn State University, the Supernova Festival, Digital Graffiti Festival, 150 Media Stream, the Brooklyn Museum, the Museum of Biblical Art, and the SCAD Museum of Art.


’Street Spirits’ is a suite of three animations which were designed originally for the ZAZ10TS corner-screen LED billboard in Times Square, NYC, presented in February 2021.


Sean Capone

‘Street Spirits’ is a series of animations originally designed and exhibited on a two-screen digital billboard in Times Square, NYC through the month of February, 2021. In these animations, totemic faces appear within a neon-saturated field of botanical forms and radiating geometric patterns. These animistic spirits manifest in the flow of electronic media space and reflect the luminous, electric urban energy of New York City. 40 seconds. 1920 x 1080px. h.264

Street Spirit 01

"archive83" is a 3D hybrid sculpture presented in poster format.  This composition confronts various objects and references several digital tests. 2100 × 2970 px

archive83

Costume design by Danny Perez. Created for 2015 Panda Bear vs. the Grim Reaper Tour, featured amongst other visuals, combining live action, and animation.

Grim Reaper

"996-apc" is a 3D hybrid sculpture presented in poster format.  This composition confronts various objects and references several digital tests. 2100 × 2970 px

996-apc

CONVERSATIONS WITH FRIENDS: A comedic video series that explores imaginary friendships between Kareem Rahma and his celebrity friends. 


Kareem tries his hardest not to offend Joey Fatone.


Backstreet's Back with Joey Fatone

Costantino Ciminiello

"Snake Eyes: An ASMR Nightmare Experience" : Michelle finds herself in an empty black abyss, and is forced to play a dice game that defines her fate. An unknown evil lingers beyond her in the darkness that holds her destiny. This short film is a social commentary on the gamble that Black, Brown, and Latinx bodies are forced to play on a daily basis.

Snake Eyes #1

ABOUT MATT FURIE 

Matt Furie is a Los Angeles-based American illustrator and artist of webcomics. He works in a happy, colourful and psychedelic style, which delves into childhood nostalgia and teenage slacker fun. His best known work is 'Pepe the Frog' (2005-2017) which became an Internet meme in the late 2000s and early 2010s. Unfortunately, the amphibian got hijacked by hate groups who turned him into a symbol of white nationalism and racism, literally everything neither he, nor his creator, stood for. Furie was eventually forced to kill off his signature character in a widely mediatized Internet event and one of the biggest examples of creator backlash in history. Furie’s saga with Pepe was recently documented in the 2020 film ‘Feels Good Man’. Mindviscosity, a book of Furie’s artwork, was also published in 2020 by Fantagraphics. In 2013, McSweeney’s published Furie’s debut children's book, The Night Riders.


Matt Furie

by Matt Furie & Arthur Jones (director of Feels Good Man)

Pepe Mandala

Brent Weinbach is an American stand-up comedian, actor, director, and pianist based in Los Angeles, California. He is known for his experimental style and abstract, deadpan delivery. He is a graduate of the University of California, Berkeley and was formerly a professional jazz pianist and substitute teacher.

Weinbach is also known for creating various video sensations such as Gangster Party Line, Mind Jack, and Ultimate Drumming Technique and is the co-creator and co-director of the cult web series, Pound House alongside DJ Douggpound which was nominated for a Streamy Award. Brent is a recipient of the Andy Kaufman Award, which recognizes innovation in stand-up comedy and was a finalist in the 2008 San Francisco Comedy Competition. Brent has appeared on Conan, Lopez Tonight, and various shows on Comedy Central. He also toured with the Comedians of Comedy and has performed at such festivals as Coachella, SF Sketchfest, Bumbershoot and the Just for Laughs Festival.



Brent Weinbach

Two business men run into each other at a hardware store.  Squeeze.  Starring Matt Keirn and Brad Hollibaugh.  Written and directed by Brent Weinbach.  Music by Hayato Matsuo.  Special thanks: Trevor Ames, Adam Schary, and Clark Reinking. Original video here: https://www.youtube.com/watch?v=XUzHrqabDtk

Squeeze

Jennifer Juniper Stratford is a director video artist and founder of Telefantasy Studios a creative television production and video art studio. Her work has been exhibited, broadcast, and screened internationally  and includes MoCA, Palais de Tokyo, Hammer Museum,  The Getty, CineMarfa, The Museum of the Moving Image New York, BAM Cinématek, and is a recipient of a Mike Kelley Foundation for the Arts grant.



Geneva Jacuzzi is known for her uncompromisingly obtuse synth-driven pop and one-of-a-kind performance art comprised of one time only spectacles and installations. Her works have been presented in art institutions such as the Museum of Contemporary Art, MOCA, The Broad Museum, Vooruit, Kampnagel, as well as nightclubs across the globe. 



Jennifer Juniper Stratford & Geneva Jacuzzi

animated gif
940x720, 100fps, 256 colors
Part of MocaLotion  (https://youtu.be/wqBQaEpcfJ8)  an infomercial style teleplay written and starring Geneva Jacuzzi. Directed by video artist Jennifer Juniper Stratford.
Biochemical Peel was originally part of a multichannel installation and performance of MocaLotion at MoCA Geffen Contemporary in Los Angeles


Biochemical Peel + Facemelt

Cranes

animated gif
940x720, 75 fps, 256 colors
Part of MocaLotion  (https://youtu.be/wqBQaEpcfJ8)  an infomercial style teleplay written and starring Geneva Jacuzzi. Directed by video artist Jennifer Juniper Stratford.

Headache Medicine was originally part of a multichannel installation and performance of MocaLotion at MoCA Geffen Contemporary in Los Angeles


Headache Medicine

Snake Eyes #2

animated gif
940x720, 50fps, 256 colors
Part of MocaLotion  (https://youtu.be/wqBQaEpcfJ8)  an infomercial style teleplay written and starring Geneva Jacuzzi. Directed by video artist Jennifer Juniper Stratford.

Haircare,Mindcare,Everything was originally part of a multichannel installation and performance of MocaLotion at MoCA Geffen Contemporary in Los Angeles



Haircare, Mindcare, Everything

CLAUDIA MATÉ (b. 1985, Spain) lives and work in Paris. She works in a large area of new media and online based works. Her works come from a variety of formats including programming, 3D, video, videogames, VR, GIF and sound. She is Co-founder and curator at cloaque.org. Her work manages to blend the familiar with the odd, and the futuristic with strange retro tropes. She has realised her ambition to fuse the internet and interactive 3D technology into an aesthetic that is non-ideological and defines a never-ending new aesthetic – into a surreal and pixelated world where anything is possible, and nothing is as it seems. Mate’s works has been exhibited internationally in Spain, USA, France, Switzerland, Austria, Canada, Croatia, Italy, Germany, Chile, Argentina, Switzerland, Netherlands, Sweden, Venezuela, Korea, Mexico, Greece, Czech Republic, Iran, Peru, Lithuania, UK and online

Claudia Mate

It's finally friday. 21 seconds, 600x766, h.264

Frinally

Yoshi Sodeoka explores a multitude of media and platforms which comprises video, gifs, and print. His neo-psychedelic style stems from his love of and background in music. Noise, punk, and metal all influenced his development of complex, mind-altering visuals. His practice involved the use of digital video feedback, footage samples and online imagery, and his videos’ audio soundscapes are often the result of intense collaborative work.

Building an all-encompassing career, he reached many artistic fields including fine art, music (Psychic TV, Tame Impala, Oneohtrix Point Never, Yeasayer, Beck, The Presets, Max Cooper), editorial illustration (New York Times, Wired Magazine, The Atlantic, M.I.T Technology Review) fashion (Sandro paris, Wad Magazine, Adidas, Nike), and advertising (Apple, Samsung). In 2013, he also initiated Undervolt & Co, a label to distribute the work of internationally-renown video artists.

Sodeoka’s work has been exhibited internationally, including at Centre Pompidou, Tate Britain, the Museum of Modern Art, the Cleveland Museum of Art, Deitch Projects, La Gaîté lyrique, the Museum of Moving Image, the Baltimore Museum of Art, and Laforet Museum Harajuku.

His artworks are in the permanent collections of the Whitney Museum of American Art, the Museum of the Moving Image as well as the San Francisco Museum of Modern Art.



Yoshi Sodeoka

2013, archival work from "Distortion III", one of the first video album releases by experimental video label, Undervolt & Co. 


All visuals and music by Yoshihide Sodeoka

Dead Frankenstein

ABOUT MICHAEL DOTSON

Brooklyn-based artist Michael Dotson, creates works that are reminiscent of computer-simulated environments, using a bright and unnatural color palette. Dotson is inspired by technology's growing power to bring any fantasy to life, Dotson has mastered a painting technique that is clean, crisp, and mechanical — the precision of his linework used as a tool to accentuate the artificiality of simulated 3-D spaces. In a world that is increasingly reliant on technology, Dotson’s work tells an interesting story about the connection between the digital world and the analog practice of painting.


Michael Dotson

Spring Trip

2009, archival work from "Video Metal"


"Video Metal combines Yoshihide Sodeoka's (aka C505) frenetic and bastardized analog video compositions in conjunction with his insidiously maniacal guitar and sample work into a hybridized form that will obliterate your senses. Proceed with caution as reported cases confirm that Sodeoka's distorted Video Metal deities have been reaching through the screen and melting viewers on site."


Evil Erector

One of five archival pieces, each created between 2008-09, just prior the launch of Dump.fm. These works provide a link to his netart past as well as a nod to the future of digital art, as Ryder continues to experiment with conceptual projects in NFT land.

GIF Image / 1000x875 px / created 2008


CHANEL IN COMIC SANS SHIRT.gif

Kurt Cobain
Portrait #4
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #4

A creamy pallet of color is extruded from the interior of David Nobody and creates a painterly and canvas-like self portrait. The character that emerges from the slime and then disappears is the stroke of creativity itself, born, living and dying all in one. The act of sculptural play arouses this Resemblagè into its own form, unifying briefly, the inner and outer world of Nobody.

Super Squeeze Resemblagè

Astrosuka

28 seconds 1500x1500px video loop. Unlockable hi-res download

Terreno

every action ripples out into the universe... made in modern software and processed with vintage analog video hardware. 540x720 .gif scanned from 480i CRT monitor.


community

Itzel Yard

Pluteus City's fireworks. Underground language builders growing at the pace our reality is being shaped. 
Made with touch designer 
1080*1080 px


PLUTEUS

Josh Harris is an internet pioneer. Widely credited as the first to do live streaming video on the web, as the founder of WE LIVE IN PUBLIC.

Josh Harris

Artist: Josh Harris, The Adventures of Marvin the Fry - Episode ??: Marvin's Cab Ride.  Made for Pseudo.com in the 1990's. Probably 1995. Animation by Eric Forman, title sequence with Calder Martin.

The Adventures of Marvin the Fry: Marvin's Cab Ride

PDF eBook of 202 JPG sketches (#4 of 5)

Cover image : 197.5.jpg

Sketches For Painting 2013-21 (4 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Artist's Statement:

Sketches For Painting 2013-21 eBook (#4 of 5)

March 23rd 2021, Mixamo Animation Using Original Model "Kurt the Duck" + Windows XP Default Background "Bliss"

Kurt the Duck is a prominent character in ABSRDST’s work, designed in collaboration with @Vermintz [www.twitter.com/vermintz](https://twitter.com/vermintz). Kurt originated as part of a cartoon called "Birdfriends" with queer representation and a masculine gay character in the lead role, in a world where queer content wasn't designated to a corner of the internet and was actually part of the mainstream.
Kurt’s queerness wasn't meant to be the center of the plot, but just a normal part of his life. 
 
A college-aged Kurt was made in Blender as an avatar for VRchat by ABSRDST, who says: “I wear him when I'm hanging out with friends and when we go dancing. In the virtual space I feel as though this duck is a more accurate representation of myself than a human avatar.”


Mixamo Bliss

PDF eBook of 202 JPG sketches (3 of 5)

Cover image : 190.1.jpg

Sketches For Painting 2013-21 (3 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#3 of 5)

PDF eBook of 202 JPG sketches (5 of 5)

Cover image : 228.jpg

Sketches For Painting 2013-21 (5 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.


The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 


I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#5 of 5)

Feb 12th 2021, VR Motion Capture Animation Using Original Model "Kurt the Duck"


Flex/Turn

PDF eBook of 202 JPG sketches (2 of 5)

Cover image : 188.jpg

Sketches For Painting 2013-21 (2 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#2 of 5)

Sketches For Painting 2013-21 (1 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#1 of 5)

Feb 12th 2021, VR Motion Capture Animation Using Original Model "Kurt the Duck"

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