AKLO91 is a NYC based Music Video Director & Transmedia Artist. Working across the media of photography, gif, video, animation, illustration, painting, graphic & web design; AKLO builds universes not only for his own body of work but also for the many artists & commercial clients he collaborates with and works for. AKLO's fine artwork has been shown in such galleries as The New Museum, Wallplay, Superchief Gallery & his media has been seen in Vogue, Worldstarhiphop, Hybebeast, Dazed, i-D, Noisey, Vice & more. AKLO built the online gallery websites SuperchiefGallery.com & [URSA.nyc](URSA.nyc) 


Loyal Duce is a rapper from Bed Stuy, Brooklyn with an immediately recognizable and unique sound characterized by intoxicatingly catchy autotune hooks and effortlessly masterful verses that can only be described as "walking on water". Loyal has a live-show as vicersal and high energy as XXXTentacion or Travis Scott or Sheck Wes, he's performed many warehouse ragers in Brooklyn and even headlined alongside Skepta for Mowalola's Silent Madness exhibition at NOW Gallery in Greenwich London (during which he was photographed for Vogue magazine) Loyal is a style icon, trendsetter & visual artist in addition to a musical artist, always heavily involved in the Creative Direction of his body of work. #TheBigTrends #BigCringe #CringeWorld #T4L





AKLO91 & Loyal Duce

Enter the cringe. Own the first ever NFT digital art pack from Loyal Duce & AKLO91 including the 3D digital art objects seen in the Ducking The Law Official Music Video released on F*CK THEM on 09/11/2020. You can be the proud owner of one or all of these digital art files that represent & encapsulate the BIRTH OF CRINGE. #BIGCRINGE #BIGTRENDS #CRINGEWORLD #CRINGEWORLDORDER #CWO. The Ducking The Law Music Video & NFT Pack was Directed & Designed by AKLO91, Music & Co-Direction by Loyal Duce, 3D Animation by Andrew Strasser, Additional Sound Design by AKLO91, Song Produced by Jaimeo.

Own the first ever NFT digital art pack from Loyal Duce & AKLO91 including the 3D digital art objects seen in the Ducking The Law Official Music Video released on F*CK THEM on 09/11/2020. You can be the proud owner of one or all of these digital art files that represent & encapsulate the BIRTH OF CRINGE. #BIGCRINGE #BIGTRENDS #CRINGEWORLD #CRINGEWORLDORDER #CWO.

The Ducking The Law Music Video & NFT Pack 
Directed & Designed by AKLO91, 
Music & Co-Direction by Loyal Duce, 
3D Animation by Andrew Strasser, 
Additional Sound Design by AKLO91, 
Song Produced by Jaimeo.

CRINGE WORLD ORDER

ABOUT MICHAEL DOTSON

Brooklyn-based artist Michael Dotson, creates works that are reminiscent of computer-simulated environments, using a bright and unnatural color palette. Dotson is inspired by technology's growing power to bring any fantasy to life, Dotson has mastered a painting technique that is clean, crisp, and mechanical — the precision of his linework used as a tool to accentuate the artificiality of simulated 3-D spaces. In a world that is increasingly reliant on technology, Dotson’s work tells an interesting story about the connection between the digital world and the analog practice of painting.


Michael Dotson

Spring Trip

f2R. Occultism.

Visual - Sound Artist

Born in Mexico City and based in Berlin.

*Invisible Mob  Mystical archetypes of nature, death & the afterlife.

Focused on speculative approaches to sound and visuals started researching Computer Generated Imagery since 2012, living and working with New Media Art and Technology Studios across Europe, America and Asia.  

11v151131_M06 studied composition at Pompeu Fabra University in  2008 and has collaborated with artists such as Pauline Oliveros, John Zorn, Yoshida Tatsuya, William Winant.

Currently researching concepts that emerge from Anarcho - Primitivism, Cryptic- Ritualism and Supernatural Traditions from a perspective of a f2R Occultism. 



11v151131_m06

Invisible Mob is a series of 10 images.

Mystical archetypes of nature, death & the afterlife.

f2R. Occultism.

Danny Perez is a first generation, Cuban-American currently based in Los Angeles.
Having grown up in the Washington DC area, Perez attended NYU’s Tisch school for film before
relocating to California. In 2016 ANTIBIRTH starring Natasha Lyonne and Chloe Sevigny was
released and distributed by IFC midnight after premiering at the Sundance Film Festival. Perez
wrote and directed ANTIBIRTH after years of working in music videos and experimental video.

Previously in 2010, his experimental video ODDSAC screened in the Sundance Film Festival’s
New Frontiers section. The visual album was a collaboration between Perez and the group
Animal Collective. Touring as a projectionist and lighting designer for the bands Panda Bear and
Black Dice mutated his sense of rhythm and composition into something modern and unique.
Perez has worked closely with Panda bear across many tours creating visuals and lighting
designs for his concerts across clubs , festivals and museums.

Danny’s video work has been screened and covered all over the world from the Guggenheim
Museum (as part of their 50th anniversary series), The National Institute of Art Copenhagen,
Reykjavik Int. Film Festival, Karlovy Vary Film Festival, the New York Times, Vice Magazine,
and more.

Danny Perez

Costume design by Danny Perez. Created for 2015 Panda Bear vs. the Grim Reaper Tour, featured amongst other visuals, combining live action, and animation.

Grim Reaper

Artist living in Queens and working in the Uncanny Valley


Scott Gelber

No Friends

530° is a french creative agency founded by Marick Roy, Don Calumez and stanislas996.  


[www.instagram.com/530degres](https://www.instagram.com/530degres/)


[www.instagram.com/_meur](https://www.instagram.com/_meur/)


[www.instagram.com/don_calumez](https://www.instagram.com/don_calumez/)


[www.instagram.com/stanislas996](https://www.instagram.com/stanislas996/)



530°

"radar_dome_platform" is a 3D hybrid sculpture presented in video & poster format.  This composition confronts various objects and references several digital tests. 21 seconds, 2100 × 2970 px, H.264

radar_dome_platform

The abstract mentalists Baseck & Brian Close are bi-coastal collaborators who share an excitement for waveshaping images & sounds. Their projects range from throwing raves, pattern making, beat making, producing records, and making films, with a passion to warp reality. 

[www.instagram.com/baseck](https://www.instagram.com/baseck/)

[www.instagram.com/brainclosed](https://www.instagram.com/brainclosed/)



Baseck & Brian Close

The abstract mentalists Baseck & Brian Close are bi-coastal collaborators who share an excitement for waveshaping images & sounds. Their projects range from throwing raves, pattern making, beat making, producing records, and making films, with a passion to warp reality. 

160FM eZ

Costantino Ciminiello

"Snake Eyes: An ASMR Nightmare Experience" : Michelle finds herself in an empty black abyss, and is forced to play a dice game that defines her fate. An unknown evil lingers beyond her in the darkness that holds her destiny. This short film is a social commentary on the gamble that Black, Brown, and Latinx bodies are forced to play on a daily basis.

Snake Eyes #1

Chino Amobi is a Virginia-based experimental electronic musician, contemporary artist and producer. He is co-founder of the independent label NON Worldwide and Director of EROICA. He has previously worked in the fields of painting and sound art, and has released albums such as Airport Music for Black Folk (2016) and Paradiso (2017), which explore themes of intercontinental security, post-apocalyptic narratives and The New Global South. He is represented by Fitzpatrick Gallery (Paris; Los Angeles) 

Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 


Chino Amobi

6 Seconds. 1920x1080px. H.264. Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 


Illuminazioni Loop 1

Fuck this truck. Own the first ever NFT digital art pack from Loyal Duce & AKLO91 including the 3D digital art objects seen in the Ducking The Law Official Music Video released on F*CK THEM on 09/11/2020. You can be the proud owner of one or all of these digital art files that represent & encapsulate the BIRTH OF CRINGE. #BIGCRINGE #BIGTRENDS #CRINGEWORLD #CRINGEWORLDORDER #CWO. The Ducking The Law Music Video & NFT Pack was Directed & Designed by AKLO91, Music & Co-Direction by Loyal Duce, 3D Animation by Andrew Strasser, Additional Sound Design by AKLO91, Song Produced by Jaimeo.

ACAB TRUCK

Sean Capone is an animation artist, projection muralist, motion-capture performer and writer based in Brooklyn, NY. He received his MFA from the School of the Art Institute of Chicago. Sean is a 2020 NYSCA/NYFA Fellow in Digital/Electronic Art. His writings and interviews on the subject of animation art appear regularly in BOMB Magazine, and he has curated several screening programs of animation and video art presented in galleries and online. Sean's moving image-based public artworks have been commissioned for ZAZ Corner Times Square, Penn State University, the Supernova Festival, Digital Graffiti Festival, 150 Media Stream, the Brooklyn Museum, the Museum of Biblical Art, and the SCAD Museum of Art.


’Street Spirits’ is a suite of three animations which were designed originally for the ZAZ10TS corner-screen LED billboard in Times Square, NYC, presented in February 2021.


Sean Capone

’Street Spirits’ is a suite of three animations which were designed originally for the ZAZ10TS corner-screen LED billboard in Times Square, NYC, presented in February 2021. 40 seconds. 1920 x 1080px. h.264

Street Spirit 02

Using found footage, and graphic disasters, the video is a piece of a larger video created for Halloween in 2018. Collage and 2D animation crushed with a layer of analog feedback give this a true mixed media format that spans various techniques to create pop cultural grotesqueries.

Affleck Effect

"archive83" is a 3D hybrid sculpture presented in poster format.  This composition confronts various objects and references several digital tests. 2100 × 2970 px

archive83

Taken from the Panda Bear vs. The Grim Reaper tour, this clip utilizes live action performance with video effects used in touring visuals from 2015. 11 seconds, 1920x1080px, Apple ProRes 422 HQ

Alien Ball

Cringe is all grown up. Own the first ever NFT digital art pack from Loyal Duce & AKLO91 including the 3D digital art objects seen in the Ducking The Law Official Music Video released on F*CK THEM on 09/11/2020. You can be the proud owner of one or all of these digital art files that represent & encapsulate the BIRTH OF CRINGE. #BIGCRINGE #BIGTRENDS #CRINGEWORLD #CRINGEWORLDORDER #CWO. The Ducking The Law Music Video & NFT Pack was Directed & Designed by AKLO91, Music & Co-Direction by Loyal Duce, 3D Animation by Andrew Strasser, Additional Sound Design by AKLO91, Song Produced by Jaimeo.

CRINGE FINAL FORM

Benjamin Lemoine

Trash

4 Seconds. 1920x1080px. H.264. Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 

Illuminazioni Loop 3

"996-apc" is a 3D hybrid sculpture presented in poster format.  This composition confronts various objects and references several digital tests. 2100 × 2970 px

996-apc

Colors Of The Inside

ABOUT MATT FURIE 

Matt Furie is a Los Angeles-based American illustrator and artist of webcomics. He works in a happy, colourful and psychedelic style, which delves into childhood nostalgia and teenage slacker fun. His best known work is 'Pepe the Frog' (2005-2017) which became an Internet meme in the late 2000s and early 2010s. Unfortunately, the amphibian got hijacked by hate groups who turned him into a symbol of white nationalism and racism, literally everything neither he, nor his creator, stood for. Furie was eventually forced to kill off his signature character in a widely mediatized Internet event and one of the biggest examples of creator backlash in history. Furie’s saga with Pepe was recently documented in the 2020 film ‘Feels Good Man’. Mindviscosity, a book of Furie’s artwork, was also published in 2020 by Fantagraphics. In 2013, McSweeney’s published Furie’s debut children's book, The Night Riders.


Matt Furie

This is the first authorized Pepe the Frog NFT by creator Matt Furie. Auction is for "1pantsdownpee.jpg", timestamped Nov 8, 2006, a full-page scan of the o.g. "feels good man" artwork from Matt Furie's Boys Club comic series that was originally published to his Myspace blog in 2006 and meme'd into omnipotence. These files were the original scans for print that were backed up on a CDR by Matt Furie. see: https://knowyourmeme.com/memes/pepe-the-frog


Pepe the Frog NFT Genesis

2018
ink & colored pencil on board 
8in x 10in

Tuff Crowd


Esteemed rock photographer Michael Lavine, renowned for his iconic portraits of musicians such Kurt Cobain, Notorious B.I.G, and David Bowie, has been making his own brand of visually unique images of celebrities for over 30 years. His photographs of luminaries such as Jay-Z, Tilda Swinton and Brian Cranston have graced magazine covers around the world. Working extensively in the Network Television industry, he’s shot advertising campaigns for shows such as Empire, Black Monday and The Following. A leading photographer in the Hip Hop world, Michael has shot album covers for The Wu Tang, OutKast, Lil’ Kim, and P Diddy. In 1996 Simon & Schuster published Noise from the Underground, a book of Michael’s photographs of bands; including Nirvana, Sonic Youth, and Soundgarden, In 2009, Abrams published GRUNGE, a book of Michael’s photographs documenting the Seattle punk scene of the 80’s. His latest series of photographs, Swan Song, are wildly vibrant portraits of female singers based in Brooklyn. 


Michael Lavine

Kurt Cobain
Portrait #6
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #6

PDF eBook of 202 JPG sketches (#4 of 5)

Cover image : 197.5.jpg

Sketches For Painting 2013-21 (4 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Artist's Statement:

Sketches For Painting 2013-21 eBook (#4 of 5)

2020
ink & colored pencil on paper
8 1/2in x 11in

Snorketts

Ryder Ripps

From a collection of net art made between 2008-2009

oprah.gif

Kurt Cobain
Portrait #3
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine


Kurt Cobain Portrait #3
by Michael Lavine
Jan 12, 1992
New York, New YorkKurt Cobain Portrait #3
by Michael Lavine
Jan 12, 1992
New York, New York

Kurt Cobain Portrait #3

Snake Eyes #2

Street Spirit 01

2019
ink & colored pencil on board
8in x 10in

Shroomgully

Online Hours.gif

Currently best known for the viral TikTok hit ‘We’re Beautiful’, ABSRDST is releasing the new single ‘Devil Boyz’, a track that inhabits its own VR world, created by ABSRDST himself. Fast building a reputation for himself as one of the most inventive and unique young producers around, ABSRDST’s work with Dorian Electra, Bonavega, Dylan Brady and Diveo has seen him featured by The Fader, Pitchfork, Paper Magazine, Billboard and more.

ABSRDST

March 23rd 2021, Mixamo Animation Using Original Model "Kurt the Duck" + Windows XP Default Background "Bliss"

Kurt the Duck is a prominent character in ABSRDST’s work, designed in collaboration with @Vermintz [www.twitter.com/vermintz](https://twitter.com/vermintz). Kurt originated as part of a cartoon called "Birdfriends" with queer representation and a masculine gay character in the lead role, in a world where queer content wasn't designated to a corner of the internet and was actually part of the mainstream.
Kurt’s queerness wasn't meant to be the center of the plot, but just a normal part of his life. 
 
A college-aged Kurt was made in Blender as an avatar for VRchat by ABSRDST, who says: “I wear him when I'm hanging out with friends and when we go dancing. In the virtual space I feel as though this duck is a more accurate representation of myself than a human avatar.”


Mixamo Bliss

PDF eBook of 202 JPG sketches (3 of 5)

Cover image : 190.1.jpg

Sketches For Painting 2013-21 (3 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#3 of 5)

Next Big Art Thing

PDF eBook of 202 JPG sketches (5 of 5)

Cover image : 228.jpg

Sketches For Painting 2013-21 (5 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.


The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 


I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#5 of 5)

Kurt Cobain
Portrait #5
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #5

CHANEL IN COMIC SANS SHIRT.gif

Kurt Cobain
Portrait #1
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #1

Feb 12th 2021, VR Motion Capture Animation Using Original Model "Kurt the Duck"


Flex/Turn

Michael Green

Humans have a range of 27 emotional outputs. To illustrate the variance, the AI generated a lifelike render to make the characters more relatable to humans, but was later criticized for dipping into the uncanny valley.


Emoji

PDF eBook of 202 JPG sketches (2 of 5)

Cover image : 188.jpg

Sketches For Painting 2013-21 (2 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#2 of 5)

Mother Marry

Kurt Cobain
Portrait #2
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #2

Kurt Cobain
Portrait #4
January 12th, 1992
Photographed in New York City, NY
by Michael Lavine

Kurt Cobain Portrait #4

Sketches For Painting 2013-21 (1 of 5)

This project consists of over 200 sketches I’ve made in photoshop over the last 8 years. All my preparatory work for my paintings is done on the computer. I don’t make any kind of physical drawings at all, and the work provided here has rarely been seen. It’s a glimpse behind the scenes and a comprehensive look at my process over an extended period of time. You can see as the work is presented chronologically how it evolved over time from simple crops and distortions to being much more complex and abstract.

The process goes a little something like this. The first step is to identify an image that works, or at least that I think will be effective. This step is rather intuitive and you really never know until you try it, many sketches never got saved because they were complete failures, and as can be seen in this collection many were made and never used for an actual painting. The majority of the source material comes from a site called disneyscreencaps.com it has pretty much every frame of every disney movie on there. I originally started looking at it just for fun, but eventually I found an image that I really wanted to paint, It seemed really absurd to me and the time and kinda like a lil joke to be painting disney princesses, but I just kept finding more and more images that I wanted to use, and now I can’t stop. 

I like to think of these screencaps as a material, and in that sense a very durable one. I like how no matter how much I fuck with it, there will still be some legibility in terms of forms. Where the work stands today is from constant experimentation in the program, I’m the kind of person that just likes to push every button and see what it does. A lot of the process is out of my hands, like I try to guide it in certain directions, but you never really know how a certain function will turn out until you do it. I like that part of, adding an unknown, to the process. Once I do make an image that I like, I will set up my canvas next to my computer screen and draw it out from looking at the screen. This step is long and tedious but also gives me time to get acquainted with the image, and more often than not I’ll keep editing it during this process. I would say that the images I make here are about 75 percent finished usually, but a lot more needs to be done in the physical translation, the forms are smoothed out and adjusted in the drawing process, and often changes in color need to be made.

Sketches For Painting 2013-21 eBook (#1 of 5)

Feb 12th 2021, VR Motion Capture Animation Using Original Model "Kurt the Duck"

Anyone There?

Street Spirit 03

8 Seconds. 1920x1080px. H.264. Each Work is a loop from Chino's cult film Illuminazioni which has been influential to a whole generation of artists and musicians. 


AKLO91 & Loyal Duce

CRINGE WORLD ORDER

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Michael Dotson

Spring Trip

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11v151131_m06

A

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Danny Perez

Grim Reaper

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Scott Gelber

No Friends

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11v151131_m06

B

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530°

radar_dome_platform

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Baseck & Brian Close

160FM eZ

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Costantino Ciminiello

Snake Eyes #1

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11v151131_m06

D

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Chino Amobi

Illuminazioni Loop 1

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AKLO91 & Loyal Duce

ACAB TRUCK

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Sean Capone

Street Spirit 02

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Danny Perez

Affleck Effect

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530°

archive83

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11v151131_m06

C

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Danny Perez

Alien Ball

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AKLO91 & Loyal Duce

CRINGE FINAL FORM

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Benjamin Lemoine

Trash

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Chino Amobi

Illuminazioni Loop 3

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